Fine Jewellery
Where ancestral craft meets the language of contemporary luxury — jewellery born from stone, story, and stillness.
The Collections
Each Ameyaa piece is conceived as a quiet inheritance — drawn from the gardens, palaces, and poetry of Mewar, and rendered for the woman who carries her stories close.
The Making
Every Ameyaa creation begins as a drawing — each stone placed by hand on paper long before it is set in gold. Drag the line to watch the Naqsh-e-Zamarrud suite pass from the atelier's first sketch into the finished piece.
Naqsh-e-Zamarrud — the height of emeralds
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Featured · Signature Set
The Rumana Set — our most-requested suite — draws from the courtyard gardens of old palaces, where pomegranate trees were planted as symbols of prosperity and abundance.
Hand-set in white gold with Burmese rubies and Ceylon blue sapphires, each leaf is faceted individually, each stone matched by hue. A piece that takes six master craftspeople four months to complete.
Bridal
The Atelier
Our karigars trace lineages of four and five generations. They polish without machines, set stones beneath lamplight, and finish each piece only when it is ready — never before. The result is jewellery that bears the unmistakable mark of the hand: warmer, quieter, alive.
The House
Ameyaa was founded with a single intent — to slow jewellery down. To return it to the hands of people who love it most, and to the women who wear it not for one occasion, but for a lifetime.
Rooted in the rich design traditions of India, our pieces carry the patient detail of heritage itself — its lattices, its lyricism, its mornings. We make less. We make it more carefully. And we sign our name to every piece.
The Archive in Print
Browse the House of Ameyaa collection at your leisure — every suite, photographed and described, in a single volume crafted for considered viewing.
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